BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Josh Harle | Australian Digital Media Artist - ECPv6.15.17.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Josh Harle | Australian Digital Media Artist X-ORIGINAL-URL:https://joshharle.com X-WR-CALDESC:Events for Josh Harle | Australian Digital Media Artist REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20120101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20130611 DTEND;VALUE=DATE:20130714 DTSTAMP:20260415T135835 CREATED:20170122T112712Z LAST-MODIFIED:20170122T113213Z UID:1067-1370908800-1373759999@joshharle.com SUMMARY:Light Logic\, Conny Dietzschold Gallery DESCRIPTION:Ernest Edmonds\, Shaping Space\, 2012\, Computer generated interactive installation\, 235 x 370 cm \nErnest Edmonds: LIGHT LOGIC \nGUEST ARTISTS: JOSH HARLE – SEAN CLARK \n11 June – 13 July 2013 \n \n\nErnest Edmonds’ art explores colour\, time and interaction in the context of colour field painting and systems art. His work extends the Constructivist tradition into the digital age in a powerful and enduring investigation of mathematical and computational systems. \nBorn in London in 1942\, he began painting at an early age and continued to do so throughout his formal education in mathematics\, philosophy and logic. Throughout his life\, he has made artworks with reflected as well as transmitted light\, both painting and writing code to make interactive generative works. He has exhibited computer-based and systems art around the world since 1970 and showed the first computer-generated video at Exhibiting Space in 1985. \nAs well as creating new art forms and publishing widely\, he continues to contribute to art research through the positions of Professor of Computation and Creative Media at the University of Technology\, Sydney and Professor of Computational Art at De Montfort University\, Leicester\, UK. He is Editor-in-Chief of Transactions in the leading MIT Press art and science journal\, Leonardo. His work is in the Victoria and Albert Museum\, London\, who are collecting his archives\, and he is represented in the pioneer section of the on-line DAM Museum\, Berlin. \nErnest Edmonds comments:\n“The Light Logic exhibition shows a dialogue between time-based computer generated art and paintings\, each influencing the other. The Shaping Form (and Shaping Space) time-based series consists of unique abstract interactive artwork that are each generating colours and forms in time from a set of unique rules: rules that are rather like their DNA. They also take data from a camera and continuously calculate the amount of activity seen in front of the work. The computer software then steadily modifies the rules. The artwork and its development over time is\, then\, influenced by the people who look at it. The audience help to shape the work. Shaping Form is a representation of computed life\, moving and changing of its own accord but maturing and developing as a result of the movement of audiences. The shaping of the form is a never-ending process of computed development. The paintings explore moments of the process and\, in particular\, the nature of the colours being used\, contrasting the logics of transmitted and reflected light” \nINTERACTING INTERACTIVE ARTWORKS – COLOURNET \n\nArtworks in the gallery\, on iPads and on your own phone talk to one another. \nThe 2013 Vivid festival was full of displays with which the public interact: interactive artworks. Ernest Edmonds’ art is also often interactive\, but ColourNet takes this a step further. The ColourNet art system allows a collection of interactive artworks to also interact with one another. Several artists can make independent works that influence one another over the Internet. They can range from large installations\, such as those seen in Vivid\, to phone Apps. Ernest Edmonds’ Light Logic exhibition at the Conny Dietzschold Gallery includes ColourNet and he has co-operated with two guest artists who have produced their own works as part of the art system. \nCorelli’s Cafe is an interactive video work by Josh Harle from Sydney. It will be shown on an iPad as part of the ColourNet installation. \nTransformations is by Sean Clark from the UK. Transformations will also be demonstrated on an iPad but can also work on your own smartphone. \nJOSH HARLE \nJosh Harle is a new media artist and PhD researcher examining the representation of space through an Australian Research Council Linkage grant. He has a background in Computer Science\, Fine Art\, and Continental Philosophy\, and works between the School of Design\, COFA\, and the Faculty of the Built Environment\, UNSW.\nHis current work explores the interplay between the first-hand embodied experience of the world and the set of mechanisms and practices that are used to organise it. His research focuses on the diverse ways of inhabiting space\, how emerging technologies are changing these\, and why emergent\, poetic accounts of the city are important. \nSEAN CLARK \nSean Clark is a digital artist\, PhD researcher\, the director of web/mobile developer Cuttlefish and the curator of “Interact” in Leicester\, UK. In his artistic work he is inspired by systems theory\, the nature of interactivity and creative explorations of flow and connectedness. URL:https://joshharle.com/event/light-logic-conny-dietzschold-gallery/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20130605T170000 DTEND;TZID=UTC:20130616T170000 DTSTAMP:20260415T135835 CREATED:20170122T112459Z LAST-MODIFIED:20170122T113213Z UID:1064-1370451600-1371402000@joshharle.com SUMMARY:Point of View\, Kudos Gallery DESCRIPTION:Point of View\, Kudos Gallery \nVOLKER KUCHELMEISTER\, JOSH HARLE AND CHRIS HENSCHKE \nOpening: Tues\, Jun 11\, 5-7pm \nWhen: Jun 5-15\nWhere: Kudos Gallery\n6 Napier St\, Paddington\, NSW\nHours: Wed to Fri\, 11am – 6pm\, Sat\, 11am – 4pm \n \nPoint of View explores the boundaries between real and virtual space and the relationship between the observer and the observed. \nFeaturing work by COFA staff Volker Kuchelmeister\, Josh Harle and Chris Henschke\, the exhibition utilises electronic media to explore the boundaries of the cinematic image and investigate the limitations traditional ocular optics put on our perception of mediated imagery. \nThis exhibition is presented by COFA + ISEA2013. URL:https://joshharle.com/event/point-of-view-kudos-gallery/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20130521T170000 DTEND;TZID=UTC:20130521T190000 DTSTAMP:20260415T135835 CREATED:20170122T111723Z LAST-MODIFIED:20170122T113213Z UID:1059-1369155600-1369162800@joshharle.com SUMMARY:Emerging Topologies\, Kudos Gallery DESCRIPTION:Emerging Topologies\, Kudos Gallery \nOpens 5-7pm Tues 21 May\, continues to Saturday 25 May \nKudos Gallery\nAddress: 6 Napier St. Paddington NSW 2021\nOpen Hours: Wed to Fri 11am-6pm\, Sat 11am-4pm \n \nThe spaces we inhabit are becoming progressively more legible through ubiquitous access to Google Maps and GPS navigation\, introducing new types of travel story and new types of space. The artist explores the shifting landscape of a city experienced through mobile mapping technology\, sketching out his own improbable paths through the shadows using a series of bespoke software tools to map\, scan\, and visualise the city in contingent\, poetic ways: a photo-realistic reconstruction of the gallery in the Crysis 2 game engine\, architectural models of Sydney structures laser-etched with the actual graffiti and weathering\, enormous composite images of walks through various cities\, relics of the city reconstructed through Structure-from-motion printed in 3D. The works tell tales: compiling esoteric maps of journeys through strange cities\, and taking playful\, winding trips across the smudged face of the GPS screen. \nThe exhibition is the culmination of Josh Harle’s four year doctoral research\, informed by degrees in Computer Science\, Philosophy\, and Sculpture\, and completed between the School of Design\, COFA\, and the Faculty of the Built Environment\, University of New South Wales. \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n kunstrecorder.wordpress.com\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n necrooptics.com URL:https://joshharle.com/event/emerging-topologies-kudos-gallery/ CATEGORIES:Exhibition END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20130219 DTEND;VALUE=DATE:20130220 DTSTAMP:20260415T135835 CREATED:20170122T113313Z LAST-MODIFIED:20170122T113313Z UID:1075-1361232000-1361318399@joshharle.com SUMMARY:Electroscape: the here and now of digital art\, 107 Projects DESCRIPTION:Contempo brings together seven artists working across a range of electronic media in an event that presents the latest and greatest in electronic art. \nElectroscape: the here and now of digital art is an experimental\, interactive exhibition showcasing 3D printing\, laser etching\, robotics\, electric muscle stimulation\, complex sonic environments\, interactive text and interactive 3D imaging. \nFeaturing works by some of Australia’s most innovative artists – Lucas Abela\, Leah Barclay\, Andrew Burrell + Chris Rodley\, Michaela Davies\, Josh Harle\, Kate Richards and Margaret Seymour – this promises to be more than just an art exhibition\, but an emotive experience. URL:https://joshharle.com/event/electroscape-the-here-and-now-of-digital-art-107-projects/ CATEGORIES:Exhibition END:VEVENT END:VCALENDAR